India is a perfect example of unity in diversity with different cultural, linguistic, social, religious, political including entertainment concepts like theatrical drama. Most of the relaxation platforms are unique to their region but as the revolution has been focused on the country, Indians’ mindset has been changed and started to welcome all the regions from north to south and east to west.
Indian cinematic world has started with leather puppet dance depicting mythological stories and then slowly started a move to motion picture right know it’s on the stage of 180-degree camera caption with single a shot.
Initially there is an inequality in terms of movie-making with south and north India, presently movie industries are traveling side by side rather than one after the other in fact some of the movies have been bench bark in the Indian cinema highest which includes recent Baahubhali, 2.0, Kabali, Sarkar they reflect highest gross globally compared to north Indian cinemas. The Box Office markets in the United Arab Emirates, Australia, Netherlands, Singapore and even, South America has been flipped from north to south.
Even in terms of production to have excellent output on to the cinematic world south Indian movie makers are investing huge budget around 300-400 crores on a single movie, even in terms of List of highest-paid includes many south Indian cinema stars. Regional cinema has always stood up there What has emerged in recent years because of their ability to commercialize and advertise along with promotion concepts in a much more approachable way to all the viewers.
The dominance takes over by south Indian cinema is visible in recent years that no more Indian entertainment towards North. These well-crafted dubbed films south Indian movies that started turn to Hindi movies to have great entertainment with coverage of Shringara (love), Hasya(laughter), Karuna (kind-heartedness or compassion), Raudra (anger), Veera ( courage), Bhayanaka (terror), Bheebhatsya (disgust), Adbutha (surprise), and Shantha (peace or tranquility) zones of films which exposed the stars of a particular region to a larger population around India. satellite prices for dubbed south Indian movies have also gone up by seven to eight times in the past two years.
Not just in terms of film making but there are no wide changes in terms of TV show remakes there are many tv programs and serials Data from India’s television monitoring agency BARC (Broadcast Audience Research Council) says Hindi remains the most preferred language of consumption in the country, the growth is led by regional content towards south . Hit shows like Bigg Boss, Kaun Banega Crorepati, Sa Re Ga Ma Pa Li’l Champs shows that broadcasters are ready to add cultural widespread in all the regions of India.